Las óleos de todo Frederick Edwin Church


ID Image  Painting (From A to Z)       Details 
3875  
Frederick Edwin Church, Cotapaxi
 
 Cotapaxi   1857 Art Institute of Chicago
45329  
Frederick Edwin Church, Dammerung in der Wildnis
 
 Dammerung in der Wildnis   mk181 1860 Ol auf Leinwand 101.6x162.5cm
31689  
Frederick Edwin Church, Details of Le caur des  Andes
 
 Details of Le caur des Andes   mk75 1859 Huile sur toile 168.9x302.9cm
31688  
Frederick Edwin Church, Details of Le caur des Andes
 
 Details of Le caur des Andes   mk75 1859 Huile sur toile 168.9x302.9cm
31316  
Frederick Edwin Church, Frederick Edwin Church
 
 Frederick Edwin Church   nn07
31687  
Frederick Edwin Church, Le caur des Andes
 
 Le caur des Andes   mk75 1859 Huile sur toile 168.9x302.9cm
3880  
Frederick Edwin Church, New England Scenery
 
 New England Scenery   1851 Springfield Library and Museums
31889  
Frederick Edwin Church, Niagara
 
 Niagara   mk77 1857 Oil on canvas 42 1/4x990 1/2in
42771  
Frederick Edwin Church, Niagara
 
 Niagara   MK169 1857 oil Paint on cloth 108x230cm
3872  
Frederick Edwin Church, Niagara Falls
 
 Niagara Falls  
3878  
Frederick Edwin Church, Niagara Falls
 
 Niagara Falls   1857
56267  
Frederick Edwin Church, niagara falls
 
 niagara falls   mk247 1867 ,oil on canvas,102x91 in,260x231 cm,national gallery of scotland,edinburgh,uk
73244  
Frederick Edwin Church, Otter Creek Mt. Desert
 
 Otter Creek Mt. Desert   oil on canvas, by the American artist Frederic Edwin Church. 42.54 cm x 60.96 cm (16 3/4 in. x 24 in.) Courtesy of the Museum of Fine Arts, Boston. Date 1850(1850) cyf
83675  
Frederick Edwin Church, Our Banner in the Sky
 
 Our Banner in the Sky   1861(1861) Medium Oil on canvas cyf
82242  
Frederick Edwin Church, Red
 
 Red   Oil on canvas 7 1/2 x 12 in. Date 1861 cyf
45225  
Frederick Edwin Church, Regenzeit in den Tropen
 
 Regenzeit in den Tropen   mk181 1866 San Francisco
3874  
Frederick Edwin Church, Secluded Landscape at Sunset
 
 Secluded Landscape at Sunset   1860
3873  
Frederick Edwin Church, Sierra Nevada de Santa Marta
 
 Sierra Nevada de Santa Marta  
92036  
Frederick Edwin Church, South American landscape
 
 South American landscape   1856(1856) Medium oil on canvas Dimensions 59.5 X 92 cm (23.4 X 36.2 in) cyf
45328  
Frederick Edwin Church, Sudamerikanische Landschaft
 
 Sudamerikanische Landschaft   mk181 1856 Ol auf Leinwand 59.5x92cm
3877  
Frederick Edwin Church, Sunset
 
 Sunset  
3871  
Frederick Edwin Church, The Falls of Tequendama
 
 The Falls of Tequendama   1854
52710  
Frederick Edwin Church, The Heart of the Andes
 
 The Heart of the Andes   1859 Oil on canvas, 169 x 303 cm
3876  
Frederick Edwin Church, The Iceberg
 
 The Iceberg  
51415  
Frederick Edwin Church, To the Memory of Cole
 
 To the Memory of Cole   mk218 1848 Oil on canvas 32x49in
72429  
Frederick Edwin Church, Tropical Scenery
 
 Tropical Scenery   Date ca. 1873(1873) Medium Oil on canvas Dimensions 97.3 X 152.2 cm (38.31 X 59.92 in) cyf
23271  
Frederick Edwin Church, Twilight in the Wilderness (nn03)
 
 Twilight in the Wilderness (nn03)   1860 Oil on canvas,101.6 x 126.6 cm 40 x 49 7/8 in Cleveland Museum of Art Cleveland OH
73243  
Frederick Edwin Church, View of Cotopaxi
 
 View of Cotopaxi   oil on canvas, by the American artist Frederic Edwin Church. 62.2 cm x 92.7 cm (24 1/2 in. x 36 1/2 in.) Courtesy of the Art Institute of Chicago, Chicago, Illinois. Date 1857(1857) cyf

Frederick Edwin Church
1826-1900 Frederick Edwin Church Galleries Frederic Edwin Church (May 4, 1826 ?C April 7, 1900) was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters. While committed to the natural sciences, he was "always concerned with including a spiritual dimension in his works". The family wealth came from Church's father, Joseph Church, a silversmith and watchmaker in Hartford, Connecticut.(Joseph subsequently also became an official and a director of The Aetna Life Insurance Company) Joseph, in turn, was the son of Samuel Church, who founded the first paper mill in Lee, Massachusetts in the Berkshires, and this allowed him(Frederic) to pursue his interest in art from a very early age. At eighteen years of age, Church became the pupil of Thomas Cole in Catskill, New York after Daniel Wadsworth, a family neighbor and founder of the Wadsworth Atheneum, introduced the two. In May 1848, Church was elected as the youngest Associate of the National Academy of Design and was promoted to Academician the following year. Soon after, he sold his first major work to Hartford's Wadsworth Atheneum. Church settled in New York where he taught his first pupil, William James Stillman. From the spring to autumn each year Church would travel, often by foot, sketching. He returned each winter to paint and to sell his work. Between 1853 and 1857, Church traveled in South America, financed by businessman Cyrus West Field, who wished to use Church's paintings to lure investors to his South American ventures. Church was inspired by the Prussian explorer Alexander von Humboldt's Cosmos and his exploration of the continent; Humboldt had challenged artists to portray the "physiognomy" of the Andes.



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